![]() ![]() But Insomnia is one of the best American films of the year, and a rare Hollywood movie that does justice to an excellent European original. ![]() He has stepped up onto a bigger stage, where audiences are less forgiving than in the independent arena. Nolan, however, has nothing to fear from wider exposure. Before it ends, Dormer's years of experience will be held under a harsh light and an Alaskan sun that refuses to set. The film opens with the two city cops flying over a topographical wasteland, before landing in a town untainted by street smarts and internal politics. It's not quite a Lecter-Starling match, but it's head and shoulders above what we're normally offered in a crime thriller. Their relationship hangs on a delicate balance, depending on which one has more incriminating evidence on the other. Williams is cleverly used as Dormer's nemesis, a crime novelist who believes he can control the murder investigation as if it were one of his fictions. That's not to say that Insomnia can't be enjoyed as a cracking story cranked up by a couple of tense scenes. And so while we're enjoying the cop movie thrills on a basic level, Nolan, Pacino and scriptwriter Hillary Seitz offer us something much meatier in terms of an anti-hero character study. Just like the cracks of sunlight breaking through the blinds in Dormer's hotel room, the flaws in his personality steadily creep out from beneath the surface. This end-justifies-the-means mentality threatens to cloud not only his judgement, but also our trust in him as the film's hero. 'That's my job - I assign guilt,' he says bullishly at one point. And unlike Murder By Numbers, for example, it's not simply a case of watching the cop get the bad guy.īecause Dormer compromises himself by covering up a fatal error, his relationship with the killer and his gung-ho attitude to the Internal Affairs investigation hanging over his head become questionable. Parents need to know that this movie has brief but grisly violence, a nude corpse. This isn't a whodunnit - the killer is revealed early on. Here are some of the reasons Insomnia is Christopher Nolans best movie. As Pacino's face visibly sags through lack of sleep, Will Dormer's ability to carry out his job objectively becomes less and less likely. Like Memento, Insomnia is all the more effective for streaming its plot through the unreliable mind of its main character. But, in Nolan's hands, it becomes a psychologically dense, inverted film noir (a film blanc, perhaps) that keeps the audience enthralled to the last. On the surface, Insomnia looks like a standard Hollywood cop thriller - an American remake of a European original with A-list stars and a bigger budget. How do you follow a one-of-a-kind cult classic like Memento? In Christopher Nolan's case, you move onwards and upwards. ![]()
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